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dc.contributor.authorDowd, Timothy J.en
dc.contributor.authorPinheiro, Diogoen
dc.date.accessioned2016-01-24T19:54:37Zen
dc.date.available2016-01-24T19:54:37Zen
dc.date.issued2013-11en
dc.identifier.citationDowd, T. J., & Pinheiro, D. L. (2013). The ties among the notes: The social capital of jazz musicians in three metro areas. Work And Occupations, 40(4), 431-464. doi:10.1177/0730888413504099en
dc.identifier.doihttp://dx.doi.org/10.1177/0730888413504099en
dc.identifier.urihttp://hdl.handle.net/11286/594756en
dc.description.abstractPrevious work shows that social capital matters for careers of creative workers, leading to jobs and bolstered income. The authors focus here on factors that may facilitate various types of social capital possessed by jazz musicians and on how the options of building connections may differ for peripheral versus dominant musicians. Among other things, the authors find that both general education and formal music training promote formal social capital but constrain the share of local musicians known; meanwhile, generalism fosters both the share and diversity of local musicians known. Only a few options benefit peripheral musicians, namely union membership and having an agent.en
dc.language.isoen_USen
dc.publisherSage Publicationsen
dc.relation.urlhttp://wox.sagepub.com/content/40/4/431en
dc.subjectJazz Musiciansen
dc.subjectCreative Careersen
dc.subjectSocial Capitalen
dc.subjectFreelance Worken
dc.subjectSignalingen
dc.titleThe ties among the notes: The social capital of jazz musicians in three metro areasen_US
dc.typeArticleen
dc.contributor.departmentDepartment of Sociologyen
dc.identifier.journalWork and Occupationsen


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